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Henry David Thoreau’s Journal was his life’s work: the daily practice of writing that accompanied his daily walks, the workshop where he developed his books and essays, and a project in its own right—one of the most intensive explorations ever made of the everyday environment, the revolving seasons, and the changing self. It is a treasure trove of some of the finest prose in English and, for those acquainted with it, its prismatic pages exercise a hypnotic fascination. Yet at roughly seven thousand pages, or two million words, it remains Thoreau’s least-known work.
This reader’s edition, the largest one-volume edition of Thoreau’s Journal ever published, is the first to capture the scope, rhythms, and variety of the work as a whole. Ranging freely over the world at large, the Journal is no less devoted to the life within. As Thoreau says, “It is in vain to write on the seasons unless you have the seasons in you.”
- Sales Rank: #71263 in Books
- Brand: Brand: NYRB Classics
- Published on: 2009-11-24
- Released on: 2009-11-24
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.13" w x 5.00" l, 1.50 pounds
- Binding: Paperback
- 704 pages
Features
- Used Book in Good Condition
From Booklist
Thoreau began keeping a journal at age 20, ultimately filling 14 notebooks and a collection he titled “Gleanings; or, What Time Has Not Reaped of My Journal.” Writer, editor, and translator Searls selected passages from this vast sea of words to create the largest and most cohesive one-volume reader’s edition ever published. Thoreau’s journal was the wellspring for all his books, and Searls is acutely attuned to its grand continuity and “synthesizing quality,” ensuring that readers will be able to fully appreciate Thoreau’s sustained contemplation of the cycles, patterns, and interconnectivity of nature. What is also apparent is how the rhythms and revelations of Thoreau’s long walks inspired the flow and radiance of his poetic prose. Searls’ sensitive editing casts new light on Thoreau’s abiding fascination with weather, trees, turtles, the moon, birds, berries, and, of course, human nature. Observant, philosophical, and rhapsodic, Thoreau parses his own moods, portrays friends and neighbors, decries slavery and the destruction of the living world, and rejoices in beauty. This is a superb and uniquely accessible edition of an essential American masterpiece. --Donna Seaman
Review
"[Searls's selection] admirably preserves the feel of the 7,000-page original. This lightweight, sturdy edition ... practically begs to be read outside." —Thomas Meaney, Times Literary Supplement
"Writer, editor, and translator Searls selected passages from this vast sea of words to create the largest and most cohesive one-volume reader’s edition ever published...This is a superb and uniquely accessible edition of an essential American masterpiece." —Booklist
“It is the unflagging beauty of the writing, day after day, that confirms its greatness among writers’ journals.” —Alfred Kazin
“Thoreau could lift a fish out of the stream with his hands; he could charm a wild squirrel to nestle in his coat; he could sit so still that the animals went on with their play round him. [In the Journal] we have a chance of getting to know Thoreau as few people are known, even by their friends.” —Virginia Woolf
“Reading Thoreau’s Journal I discover any idea I’ve ever had worth its salt.”—John Cage
About the Author
Henry David Thoreau (1817–1862) was born and lived the greater part of his life in Concord, Massachusetts. He studied at Harvard, where he became a disciple of Emerson, and after graduating in 1837 returned to Concord to teach school with his brother. In Concord, he became acquainted with the members of the Transcendentalist Club and grew especially close to Emerson, for whom he worked as a handyman. Thoreau also began to write for The Dial and other magazines, and in 1839 he made the boat trip that became the subject of his first book, A Week on the Concord and Merrimack Rivers (1849). On July 4, 1845, he moved into the hut he’d constructed on Walden Pond, where he remained until September 6, 1847—a sojourn that inspired his great work Walden, published in 1854. In the 1850s, Thoreau became increasingly active in the abolitionist cause, meeting John Brown at Emerson’s house in 1857 and, after the attack on Harpers Ferry, writing passionately in Brown’s defense. Short trips to Maine and Cape Cod resulted in two post humously published books (The Maine Woods and Cape Cod), and a visit to New York led to a meeting with Walt Whitman. Suffering from tuberculosis, Thoreau traveled to the Great Lakes for the sake of his health, but finding no improvement and realizing that he was going to die, returned home to Concord to put his papers in order and to write his final essays, drawing as always on the Journal, the work that was the source of all his other works and the defining undertaking of his adult life.
Damion Searls is the author of Everything You Say Is True, a travelogue, and What We Were Doing and Where We Were Going, stories. He is also an award-winning translator from German, French, Norwegian, and Dutch, most recently of Rainer Maria Rilke’s The Inner Sky: Poems, Notes, Dreams and Marcel Proust’s On Reading. He has produced an experimental edition of Herman Melville’s Moby-Dick, called ; or The Whale, and his translation of the Dutch writer Nescio’s stories is forthcoming from NYRB Classics.
John R. Stilgoe is the author of many books and the Robert and Lois Orchard Professor in the History of Landscape at Harvard University.
Most helpful customer reviews
34 of 35 people found the following review helpful.
Consider The Turtle
By Daniel Myers
Proust, after reading excerpts of a French translation of Thoreau's Walden, said that, "It is as though one were reading them inside oneself, so much do they arise from the depths of our intimate experience." Indeed, quibble with editor, Damion Searls', selections for this nearly 700 page one volume edition of the Thoreau's Journal -one-tenth the original size - if you see fit, but he seems to me to have caught the heart of Thoreau. Proust might well admire him; at times, one rather thinks one might be reading a translation of Proust:
"Dreams are real, as is the light of stars and moon, and theirs is said to be a dreamy light. Such early morning thoughts as I speak of occupy a debatable ground between dreams and waking thoughts. They are a sort of permanent dream in my mind. At least, until we have for some time changed our position from prostrate to erect, and commenced or faced some of the duties of the day, we cannot tell what we have dreamed from what we have actually experienced."
The best parts of these "intimate experiences" recorded here are the words of a liminal being, seeing through to some other world by seeing into the world around him so meticulously and yet so profoundly:
"Certain localities only a few rods square in the fields and on the hills, sometimes the other side of a wall, attract me as if they had been the scene of pleasure in another existence."
"As I climbed the Cliff, I paused in the sun and sat on a dry rock, dreaming. I thought of those summery hours when time is tinged with eternity - runs into it and becomes one stuff with it."
The overall effect of the volume is something like drifting down a river in Thoreau's boat (described herein) through mysterious and bewitching purlieus, where mindscape fuses with landscape. One comes away reminded of Thoreau's contemplation of the turtle:
"Be not in haste; mind your private affairs. Consider the turtle. Perchance you have worried yourself, despaired of the world, meditated the end of life, and all things seemed rushing to destruction; but nature has steadily and serenely advanced with a turtle's pace."
This has been my experience of reading these extracts of a man who said that, "I do not know how to distinguish between our waking life and a dream." He - I along with him - was often gripped by the striking eeriness of simply being alive: "I am living this 27th of June, 1840, a dull, cloudy day and no sun shining. The clink of the smith's hammer sounds feebly over the roofs, and the wind is sighing gently, as if dreaming of cheerfuler days."
2 of 2 people found the following review helpful.
Sould be called "The Best of Henry David Thoreau"
By James C. Martin
Choosing to squeeze the best of the lot from Thoreau's 14 volumes of notebooks must have been a massive task, but it gave us readers a massive pleasure in having these morsels put before us, on a "platter" that is over 700 pages long!
As a Thoreau acolyte, having this by my bedside as a nightly dose of calm is my evening treat. It is easily a "dipping" book and once in a while, I hit the same page twice in a week...No Matter! It's all good, thought-provoking Thoreau at his best and easily my best purchase of this year.
Binding is for the long-haul and the paper is magnificent...smooth and ivory-colored.
If you appreciate H.D.T., then by all means add this to your library!
19 of 20 people found the following review helpful.
Thoreau's journals, simplified
By P. Bergh
While I agree you can question the editing until you're blue in the face, this is a fine, affordable way to enjoy Thoreau's journals, plus a LOT easier to use than his hardcover versions, which, by the way are difficult to find. My only wish is that it was also available in Kindle version, as it is a book that lends itself very well to "dipping into" almost at random.. I keep it near my reading chair and, even with only a few minutes, am constantly blown away by Mr. HDT's brilliance, wit, and grasp of both the natural and human state of the world.
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